Solstice is almost upon us. Hard to believe the nights begin to draw in from later this week. I thought these photos would show you what the skies have been like lately around here. Dramatic.
Still, my sweetie and I found we had a few hours spare by ourselves today to go into the Dorset outback and climb a giant hill (not really suitable for Rubin’s little legs). We both feel called to reconnect with our spiritual places at these points of the wheel. When I suggested a trip to Hod Hill today, turns out he’d been thinking something similar.
Hod Hill was once an Iron Age Hill Fort, and before that there was supposedly a Bronze Age settlement there. And when the Romans came along, they rather took to it too. Today, it was only us. Once we’d struggled to the top, we collapsed on the grass in our own separate kinds of contemplation (mine involves playing with cameras, his involves communing with insects).
I find places like this so beautiful and powerful. But I cannot always figure out how to convey that in a photograph. There is a lack of ‘subject’ matter for the camera, just huge swathes of green. This should be interesting enough in itself but I end up taking lots of shots with my Nikon that all look rather boring. Today I’d even taken my large zoom lens to see if I could capture objects from the surrounding views, but the most interesting images were the ones I took with my iPhone.
Something about the Hipstamatic App added great drama to the greens, and the subtle vignetting round the edges made the simple tree, or path, in the middle of the image seem more purposeful, as if part of a rural narrative. The green cast of this app also turned a clever trick on the clouds, which I was losing in the Nikon lens.
Summer has wound me up to it’s peak, and I am tired, strung-out. Stretched too thin. Like butter over too much toast (think that was one of Bilbo’s lines in Lord of the Rings I). I look forward to the downturn of the wheel now, towards Equinox, when all shall be in balance again.
On a different note, I have finally quit Facebook. Hurrah. That place was becoming like a zoo. Noisy noisy – people shouting rudely about themselves or their lives. Making me feel like I need to compete. I know that’s my own flaw to deal with, but I find it’s a lot more peaceful just to get out of the ring.
Sadly, it means I’ve lost a whole bunch of blog visitors, as testified to by my insidious WordPress Stats. I shouldn’t peak, I know! Vaingloriousness shall lead to ruin. But I felt it would be even worse vanity to publicize my imminent departure from Facebook on said site. I hope some friends will find me here, if they should think to come looking.



{ 7 comments… read them below or add one }
happily — i’m facebook-free myself, so your not being there doesn’t ripple to my coming here….
it really is a horrible place…(facebook, i mean)
love the greens…i find the same trouble in capturing the power of the wild places that move me….i have piles of photos of rocks and trees — i think you need an Otherworld camera to catch that stuff. or, an iphone.
xoxoxo
such amazing greens!!! beautiful, beautiful…so glad I stopped by to breathe in that anahata energy from your photos!…followed the trail from Green Whisper…and landed on green, go figure!
Thanks, Laura. Green is so healing, don’t you think?
Hurrah for the end of Facebook is nigh! (or something along those lines anyway!)
As I have said to you before huni, the lens/process on these pics really intrigues me. The saturation of colour and the shadowing round the edges give them such drama! I always see interesting photos as little windows into people and places and find them extremely voyeristic, and satisfying. But these take it one step further. It feels like I am viewing the scene through the photographers eyes rather than the mechanics of the lens. I know that is a contradiction in terms, and I am probably not explaining this very well, they feel more like how the ‘artist’ is seeing the scene rather than just the physical ‘stuff’ the camera is capable of recording. Quite often I feel that photos are very exact, and leave me dissapointed because the atmosphere of a place is lost. I think the feeling of presence becomes lost when the stark, clinical, process of putting a camera between you and the scene filters what you think you have seen. This ‘trick’ (Am I allowed to call it that?) realates to me because it feels like a creative process an artist has chosen to use to convey a certain mood, just like a painter would carefully choose their palette and application to try to translate how they feel about their subject. I am going to shut up now! Speak soon. XXXXXXXXXXXXXXXXX
I love the images! I also love your words and thoughts in the previous posts that I meandered through this morning. I must go now, but I will be back for another visit another day…. I am happy to say I steered clear of facebook, and your comments on it made me glad that I did! Thanks for visiting my blog, and your kind comments.
Kim
I found absolutely nothing boring about your beautiful photographs – I was amazed (I’m really working hard to learn photography) at what you could do with so much green, and bring out the life and electric passion of that beautiful hill. I’m in the plaster class and love visiting these new blogs!
I know exactly what you mean about facebook and I might take the same action too. after all, I got rid of the TV 25 years ago and I’m still ok. Better in fact.
As for the photos, while I don’t ‘do’ pixels I do like the idea of limiting oneself to simple cameras.
Oh, and I will be following this blog too.